1.219 The exploration of the 50 best vehicle scenes in history continues

Style: Science Author: Incense is like the windWords: 2412Update Time: 24/01/11 08:23:20
It was supposed to be a rare afternoon, but Wu Chen immediately accepted the new commission issued by Feizhai. Driving the AE86, we drove out of the base gate. Zhi Wuchen works hard enough and has optimistic expectations. On the second cleaning day, there should be no major problems. The female warriors are also full of expectations for the fifth-level base that will be upgraded after the second sweep.

The closer it is to loading the complete body of the exclusive shelter, it means that the high-dimensional rules of the shelter are closer to complete.

Of course, if Wu Chen's exclusive shelter can be fully loaded into the fifth gear, moving out of the camp to establish a foothold in the lowland spiral belt, and having an independent street number would not be a foolish dream.

Even if the wish cannot be achieved, the expansion of the space inside and outside the fifth-level base will far exceed that of the current fourth-level base. All female riders who have experienced the Spiral Tip 24-hour team endurance race still clearly remember the refreshing warmth when rushing onto the middle ground spiral belt. This is the "more complete shelter" one can get in the Broken City.

As the player's "exclusive shelter", the "exclusive shelter" provided by the fifth-level base is obviously much stronger than that of the fourth-level base.

Section A-036S of the assembly workshop and the 0716 flatbed base of Feizhai are open to visitors. Wu Chen piloted the AE86 and landed at the main base on the first floor.

Different from last time. This time, the ten robot maids of the Fat Mansion, riding on the Thunder Blade Pulse they purchased earlier, came in uniform to greet him.

Zhi Nao lists them in order, each with a three-star combat power.

Guarding the fat house through the upcoming cleaning day seemed to be enough.

"Good day, 0326." Feizhai's smile was sincere.

"Good day, 0716." Wu Chen was also used to calling each other by numbers. This is an indelible mark on players who belong to Sanctuary. Behind every four-letter number, there are too many memories.

"The girls are great." Wu Chen smiled at Fat Mansion's robot maid.

"Hehe." Feizhai's pride was all on his face: "To tell you the truth, 0326. Most of the asylum coins I earned were spent on them."

"It's obvious." Wu Chen smiled: "The super AI intelligence has been significantly optimized."

"Really?" Feizhai was completely surprised.

"Of course." This is the scientific conclusion reached by Intelligent AIyi using the "developer permissions" deep scan.

"Haha! I'll say it, I'll say it." Feizhai rubbed his hands excitedly. Wu Chen can completely relate to the joy that comes from the bottom of his heart.

"By the way, 'Volt Tyrannosaurus', 'Lord Pulse', 'Destruction Beast', 'Vulcan Wrath' four-type hexagonal tooth machine and two tooth machine generals 'White Linjiao', 'Luaniao', my The advanced robot factory has been finalized. If you are interested, go and have a look." Wu Chen handed an encrypted data disk to Fei Zhai.

"Really?" Fei Zhai's eyes lit up and he quickly took the information tray.

"Yes." Wu Chen knew at a glance that the trip was most likely in vain: "Tell me about this plot exploration."

"That's it..." Feizhai succinctly stated the 50 best vehicle scene elements in history.

"Unless required by the plot, plot characters cannot get off the bus midway." Wu Chen asked with a smile, "So just like the last plot exploration, there is a scene change midway."

"Yes, yes." Feizhai nodded repeatedly: "Similar to going from the hotel to the car, this plot exploration also has a scene change."

"I understand." Wu Chen asked again: "What is the reason for being selected (the 50 best) this time?"

""Women die from long tongues" or "If you don't seek death, you won't die." "The viewing angle of Fat House has always been unusual.

"Okay, so this is a vehicle murder scene." Wu Chen quickly determined the scene.

"Yes, yes." Fat Man nodded repeatedly: "So, a woman who is both long-tongued and seeking death must survive to achieve the maximum harvest. It's up to you, 0326."

When Wu Chen took the elevator card from him and walked into the elevator, Feizhai remembered something again: "By the way 0326, I have an easter egg for you next time."

"Okay, 0716." Wu Chen also closed the elevator door expectantly.

Movie Easter egg "Stinger". Originated from the Western Easter egg hunt game. Add some small interesting plots to the movie, or put a clip after the movie subtitles to pave the way for the sequel, or NG (no good, generally refers to failed shots) scenes. Therefore, "Easter eggs" can also be divided into two types: in the play and at the end of the film. The post-credits Easter egg also has a more thoughtful function. Many times the credits are cut off as soon as the credits roll, and theaters turn on the lights and clear out early. Over time, the audience has not developed the habit of watching the end credits. As soon as the main film is finished, they will exit one after another. Ending Easter eggs have thus become an effective means to drive the audience to finish watching the subtitles.

Of course, when the word "fat house" is used here, it obviously refers to a plot exploration specially edited for Wu Chen's preferences. It is also Wu Chen’s personal Easter egg.

As the plane elevator accelerated its descent, and when the full white light gradually dissipated, Wu Chen could smell the cool breeze and the mud filled with water on the road as the wheels rolled over it.

Accompanied by the sound of heavy brakes, a gentle female voice came into my ears: "Can I borrow your jack?"

"Sorry, I didn't." Using the perspective of the characters in the play, Wu Chen saw the woman asking for help outside the car window.

"No?" The woman holding the red jack looked in disbelief.

"No." The person in the play really didn't.

"Weird. I thought everyone had a jack," the woman said, implying that it was a must for drivers.

"I don't have one." The character in the play replied calmly. Only then did Wu Chen discover that the man was driving an outdated van. There is not even a single electronic device on the bare dashboard. This time, Exploration 1 is not as difficult as usual. You must know that last time Feizhai paid out of his own pocket to add a 5,800-yuan Renwoxing to the outdated Santana 3000.

"Then maybe, can you help look after my car?" the woman begged again. Wu Chen glanced at it and saw that the front left wheel of the car parked in front was obviously flat. Therefore, a woman can actually change a spare tire with just a jack.

"I don't need to see your car," the character says, pointing to the diamond-shaped rack-and-pinion car jack in the woman's hand. "The problem with your jack is that it's broken, over here."

"Then what should I do in this situation?" The coldness of the man in the play made the woman even more uncomfortable.

"I think I could drive to Sonny's repair shop and call roadside assistance, it's about five miles away," the character advises matter-of-factly. Wu Chen didn't expect it either. Take his word for it and drive to the repair shop yourself, then have Sonny call roadside assistance and leave the woman and her car where they are?

"What kind of repair shop is that?" the woman asked again. The worry expressed in her words seemed to be unfamiliar to her in this suburban area on the edge of the forest.

"Sonny is a blacksmith and his craftsmanship is very good." The person in the play even praised the person without expression.

"Blacksmith." The woman made a decision: "Maybe this Sonny can fix this jack."

"You have to tell Sonny about this." The character in the play has no sense of style.

"Then can I ask you to drive me there?" The woman didn't want to stay in an inaccessible suburb, so she could only plead in a low voice: "Please."

Fortunately, although the people in the play don't understand amorous feelings, they are not hard-hearted. Finally, he agreed to give the woman a ride.

But as soon as the woman got into the passenger seat, she started complaining: "Oh, this is a mistake."

"Wrong?" The man in the play was carefully maneuvering around the woman's limousine that had broken down halfway.

"I got into your car. What mothers usually say: Don't get into a stranger's car." The woman pretended to be relaxed.

"Well, I don't know what your mother said." The man was indifferent.

"Perhaps you are a serial killer. Sorry to say that. But you look similar." The woman told the truth.

"Do you want me to take you back to your car?" The man was as cold as ever.

"No, no, I can take care of myself." After another paragraph, the woman couldn't help but continue the topic: "I'm sorry, I called you a serial killer. Did it offend you?"

"No, it doesn't matter to me." The people in the play really don't care.

"Maybe it's because of this car." The woman frowned slightly and looked around at the broken car owned by the character in the play: "It looks like the kind of car used for kidnapping or transporting corpses."