The plane elevator in Fat House can only go back and forth once a day. Before day and night turn, spend 15 minutes to get another set of symbiotes to wrap up the whole day's adventure. For Wu Chen, it is also a positive gain. Being idle is also idle, why not do it. Right.
So he asked his female companion to go to the top floor box of the nightclub that was not open to the public to celebrate the finish. Wu Chen then drove the AE86 to the flat base of Feizhai. Feizhai immediately updated the plot exploration commission, and Wu Chen, who was on the way, also immediately accepted the task. This is a tacit cooperation model.
When Wu Chen landed, he looked at his watch and saw that he still had plenty of time. The 15 minutes of Broken City are enough for an in-depth exploration of the plot fragments.
"0326, which card did you choose?" Fat Man will definitely be curious. This result was not announced on the spot. According to the established process, the card pool will not be announced together with player dividends until the card pool is cleared.
"Tina, the 4-star Eternals female warrior." Wu Chen didn't hide anything.
"Haha, I knew it was Shengna!" Fei Zhai's eyes lit up. He was as happy to guess Wu Chen's choice as he was to stand on the podium: "But why is there only a 4-star rating?"
"Eternal Demonic Disease." Wu Chen said the reason.
"So that's it." Feizhai nodded slightly: "This is an incurable disease of the Eternals. No wonder their strength has declined. Do you have a solution?"
"We have a general direction." Wu Chen smiled and said, "Let's talk about this commission."
"Okay." Fei Zhai also knew that Wu Chen was in a hurry: "This time is also an in-depth exploration of the plot fragments. We need to reach the destination and cannot get off the car early..."
"Same as before?"
"No, there are differences." When Wu Chen asked, Fei Zhai remembered the key point: "Eat first, then get on the bus. You can't get off the bus from the time you get on until you arrive at your destination. In addition, you must get a confirmed answer before you can Initiate maximum harvest.”
"Besides?" Wu Chen needed more details.
"She has a PhD in psychology." Feizhai could only say more: "She likes torture-style blind dates."
"High-achieving women, blind date scenes." Wu Chen understood: "Is it also a domestic A-level drama?"
"Yes, 0326." Fei Zhai nodded repeatedly: "If we put it now, it would be a box office of 1 billion. I think this is also the threshold for domestic A-level production."
"What's different for you this time?" Wu Chen didn't argue that Feizhai's 1 billion box office was the threshold for an A-level production. After all, "thousands of people have thousands of faces" and "a thousand audiences have a thousand Hamlets." Of course, from the perspective of the "film industry", as an "industrial product", the box office and profit earned by film when it is released are also important indicators for measuring the production quality of a film. Wu Chen expressed his understanding of the evaluation criteria for Fat House's 1 billion box office entry into the A-level production threshold.
"The choice is always hard," you know. "
"I understand." So "choosing is always difficult" is the reason why Feizhai selected this plot into the 50 best vehicle scenes in history.
Without saying much, Wu Chen took the elevator card from Fei Zhai and walked into the plane elevator that slowly opened.
Before the white light dissipated, a female voice reached my ears.
"My name is Gao Fei." The small pause in the middle is the nervous feedback of a woman when she first meets her blind date.
When Wu Chen got through the adaptation period and could see with his eyes, he found that he was in a restaurant. The date was sitting opposite, seemingly looking at the menu seriously.
With the help of the eyes of the people in the play, Wu Chen quickly looked around. It happened that a modern girl passed by the table, and the man glanced at her subconsciously.
"Does it look good?" the woman asked calmly.
"Huh?" The person in the play was slightly panicked.
"All men are like this." The woman looked at the menu "concentrated" as expected.
"She looked at me first." The character in the play hurriedly defended. This is obviously a minus point: it is always others who are at fault, and I am always the most innocent.
"Then you can't look at people's legs." The woman retorted calmly.
A man who was caught in action had nothing to say for a moment.
"Steamed seabass. Why the divorce?" The woman began to order.
"Guozhen sweet potato. I feel bored." The man told the truth.
"Nestle fried shrimp balls with pineapple. How can a man feel strong?"
"Open the pot of Zhudong goat. She really can't make me endure it anymore."
"The signature fragrant pigeon king, don't men have any responsibility?"
“Japanese style enoki beef roll. I did my best.”
"A pan-fried bun. It's all the woman's fault anyway."
"Two cans of Coca-Cola. That's not what I meant."
"That's enough, that's it. Men are like this." The woman seemed to say to the waiter.
Just when the person in the play borrowed a glass of water to cover up his embarrassment.
The woman suddenly said: "Be careful of choking."
"Cough cough cough -" It's okay not to say it, but the character in the play choked as soon as the words came out.
Taking this opportunity, Wu Chen began to analyze the plot. The entire conversation was dominated by this female Ph.D. in psychology. The female doctor is very thoughtful and she presses forward step by step with a gun and a stick between her words. But he also revealed a lot of information about himself. "How can a man feel strong?" From the beginning to the end, she was as cold as ice, unsmiling, and repulsive to others. Wu Chen judged that it was likely that her last relationship had a similar crux. "It's all women's fault anyway." This sentence reveals a hint of resentment. It also confirmed Wu Chen’s guess. The two sentences before and after "All men are like this" are obviously her words of experience: she likes the new and hates the old, and angers women.
I saw someone in the play pick up "fish face meat" with chopsticks and put it on the woman's dinner plate. Wu Chen couldn't help but nodded secretly. This is obviously a good start. Because the most delicious part of the fish is the small piece of meat on the fish's face, which is tender and delicious. Because the fish needs to flap its gills on both sides at the same time to breathe, the fish face meat will be particularly firm and tasty. People who pick up fish cheeks for the first time with chopsticks are usually real foodies.
As a PhD in psychology, women clearly come in handy. When he raised his legs in stockings, he glanced at the actor's legs intentionally or unintentionally: "Thank you. Let's take a psychological test."
Upon hearing this, Wu Chen immediately cheered up. In the jargon of cross talk, this is called "coming into life": during a cross talk performance, a paragraph of content is used to introduce the pretext to the main topic, and has the function of connecting the previous and the following.
Previously, the two of them were just chatting at the level of passersby, but from this moment on, the female doctor really considered the person in the play as a blind date.
"Okay, okay..." The person in the play, who was secretly flirted with by the woman, seemed to be a bit of an afterthought.
"You are locked in a house on fire. Your escape routes are: one door, two back doors, three windows, four jumps from the building, and five until the firefighters arrive. Which ones do you choose?"
"Which floor is it on?" The person in the play said without thinking.
"I'm not sure." The woman's eyes suddenly became sharp.
"Then I can't jump off the building anyway, I'll wait (for the firefighters)..." Just when the character in the play was about to tell the answer, Wu Chen interrupted with a well-timed brain wave. It felt like the characters in the play had a sudden epiphany and didn't feel anything strange. He was not even aware of Wu Chen's existence. Being "locked in a burning house" is like being "in a leaky boat." Referring to the female doctor's targeted gender topics, it is obviously a metaphor for a relationship between men and women that is in dire straits and full of crises. So the female doctor actually asked the people in the play "how to escape from this relationship between a man and a woman."
The front door is an open and honest breakup, the back door is a sneaky breakup, the window is a shady breakup, jumping off a building is a life-or-death breakup, and waiting for a firefighter is the worst way to force a new relationship to break up. In a word, the "firefighter" who intervenes as a third party is the worst choice.
Wu Chen began to exert influence on the people in the play.
"Downstairs of my home is Nanguan Park. The facilities in the community are adequate, and the property management is quite responsible..." The person in the play thought hard: "I think it is impossible for me to be locked up in a burning house (I don't need to escape) ah)."
"Do you live in Dongcheng?" the female doctor asked casually.
"Yes, Dongzhimen." The answer in the play is also very casual.
"How many square meters?"
"130."
