This book has always been written in a staggered manner between garden opera and chaotang opera, or the protagonist's promotion and promotion path. It finally corresponds to the title of "Red Mansions: The Fall of the Sky", so the rhythm has always been this way for me. .
Also, focus on answering a few questions.
First, why not speed up the timeline?
As soon as I said it, everyone understood.
The story takes place within a few years. To put it bluntly, I am writing about the wonderful stories of the past few years.
If three to five years suddenly pass, let's deduce it.
Three years later, how old will Baochai be? How old is Daiyu, and how old are the characters in it? Is it time to get married now? There was absolutely no time to develop relationships, no space to write interesting emotional scenes, and I suddenly accelerated for three years, and the rhythm of the story was broken, making it uninteresting.
If you were the author, you wouldn't write like this.
Therefore, my control of time must serve the development of the story. If I think the story is mature and needs a time node, then I will speed up the timeline.
Second, why not always write officialdom dramas, why not always let the protagonist pursue a career?
As soon as I said it, everyone understood it.
Let’s not talk about whether the logic of letting the protagonist’s title and official position keep rising in a short period of time is reasonable, and whether downloading dungeons will make some people boring. If I want to keep writing officialdom dramas, I need to promote the protagonist, because A plot that has no reward is meaningless to readers, and it is just a waste of time. Well, this involves creative theory.
Let me say one more thing. Authors who read my books should know this. I found that quite a few authors read my books.
Even if I let the protagonist become a county king for his merits, everyone feels so happy.
But I'm sorry, this sense of refreshment and joy will not last for thirty chapters, and you will immediately continue to scold me for procrastination, because as I unfold the plot of the protagonist as a county king, your new needs have come again, maybe a prince, plus Jiuxi is inferior to one person and superior to ten thousand people. He can even be an emperor or a thief.
Gradually, everyone will get used to the protagonist being a county king, but they are not satisfied with the protagonist being a county king.
It's like if you win five million in a lottery ticket, you'll be happy for a whole year. Are you still happy the next year? What about the third year, what about the fifth year? What about the tenth year?
You'll get used to it.
Therefore, I cannot overextend the life of the book so much. I need to integrate the exciting and twisting story into the career line.
Another problem is that some readers like to watch garden dramas. They think it is boring to get promoted and make a fortune. They only need to know one result. Your protagonist does a big thing, gets promoted, and then lives in the garden. The manifestation is completed.
Of course, the career you write about cannot be too trivial; it requires a certain degree of authenticity and rationality.
Therefore, it is destined that the career line cannot be like a senior who wrote many chapters in one copy. The ten-day stem volume is almost used up, and it is time to divide it into earthly branch volumes.
I'm not cueing him, I respect him very much. He is more successful than most people, including me, in writing books and in real work. The promotion route in his article is very real and reasonable, but as a reader, I would skip reading some chapters.
It's just that the two writing paths are different, and it's difficult to distinguish between them.
Third, about garden opera.
First of all, as a senior harem writer, although I am not as good as the harem master who can integrate love, lust, and desire to the highest level, I still have my own pursuits, even if the book I am writing is for a fan.
For the previous Yuan, Xi, Tan, Bao, Dai, and Miaoyu, I gave them character descriptions and roles opposite the protagonists. In fact, my book suppressed a lot of animalistic nature due to performance and layout considerations, to be honest.
You can read my original old book, Wheels and Wheels Crush People to Pieces, but that book was unlucky and did not highlight my writing strengths. Even though I also wrote a lot of essays on classical Chinese strategists, in the end it was not successful. generally.
The day before yesterday, someone said that I have been writing about "Kiss Me Me" recently, and even some nastier words. Actually, that is not true. Look, how many protagonists have I recommended so far?
A Qin, a princess, gone.
A simple question, if we don’t describe these golden hairpins, should we let the protagonist pack them together in the end?
Then another group of readers will definitely complain that the characters are thin and the paper is full of people. Is this about Red Mansions?
Therefore, it is necessary to properly write about their interactions and see what happens to them after meeting the protagonist. In fact, isn’t this what you want to watch when watching Red Mansions?
Third, why is Mrs. Wang so disgusting?
Ah, this...
As soon as I said it, everyone understood that in a play, there must be clowns and protagonists.
Even in the masterpiece "A Dream of Red Mansions", have you discovered that Aunt Zhao is the clown chosen by Cao Gong, acting as a monster everywhere and living as a joke?
In fact, if the Rongguo Mansion really wants to be in harmony, the play will not go on and it will become boring.
In addition, Mrs. Wang just has disgusting ideas and is a reasonable extension of my character in the original work. In fact, she has not caused any actual trouble to the protagonist so far.
Throughout the book, Jia Zhen is already dead, the Lai family is gone, the blood-sucking Shan family is also dead, the Wang family is half dead, Jia She is almost dead, and now only Mrs. Wang is left to take the lead.
If there’s nothing left to write, who can play the clown? Aunt Zhao, Ma Daopo?
Also, who said I was slow? How many people has this solved?
It's not magic. You can't expect to blow a breath and all enemies will disappear.
Of course, Mrs. Wang will eventually solve it.
Fourth, catching up on updates is not as good as reading it in one sitting. Don’t impose your feelings on following updates onto the author.
There are many readers who read it in one sitting, so they feel happy, but as soon as they stop to catch up on updates, they wonder what the author wrote? Foot wrap?
He doesn't look at the foreshadowing, he just jumps to the climax.
How to put it, it's like watching a movie, scrolling through the progress bar, and just trembling because of that one moment, everyone knows it.
But I can't always give you high-intensity stimulation and keep you in a state of explosive excitement. This will definitely come at the expense of overdrafting the life of the book.
A plot has its ups and downs, and if the preparation is not in place, you will never be happy.
But I won’t keep delaying it to keep you happy, that is, it will be difficult to subscribe.
My feeling is that a writer with mature skills can make readers feel happy whenever they can, and feel happy in whatever posture they can make readers feel happy with, and they can feel happy as long as they feel happy.
Well, with that said, why do you look so much like a technician?
In short, don't let the feeling of chasing updates cover up your overall feelings about this book.
In fact, when I first launched it, I had no experience. One chapter was 2,56 words long. I remember a plot about resigning a knight. I was scolded many times out of chapter, saying that I couldn’t clean my vagina, and all sorts of nasty things.
Of course, their desire to chase updates is actually very strong, which means they are right, ah, that’s not what it means.
But now I read the original chapters in one go. How do you feel?
Complete it in one go and enjoy it heartily.
There is also the chapter where the prince makes trouble. At that time, everyone's desire to subscribe was very high, and there were many apprentices who couldn't wait for free whoring to follow. The apprentices were very cruel.
After I finished writing the plot, I slowed down the pace a bit and wrote the garden play. I thought this was no problem.
My editor once told me something.
He said that you should not let the coolness and technical skills dictate the structure of the story. If you think this way of writing is fine for the subsequent plot, then just write it. Don’t just do it for the sake of coolness.
I remember that I was writing a plot about suppressing bandits, and I found out that the order had been cancelled. I was very anxious at first, so I asked him, and he said this to me.
This time, I felt that I needed to write a garden drama instead of jumping to the plot of a military parade. Of course, some readers supported it.
Having said all this, I just hope that everyone will be more patient, especially some readers. There is really no need to use bad words.
Finally, I would like to express my solemn thanks to the leader of the book friend "First Cause" for the reward. I saw it relatively late and did not mark it in the chapter title. I can only post it tomorrow. Thank you very much.
In addition, generally no updates are added. I personally think that any update that is not saved is a plot adventure, so you can see that if I am in mood, I will write two more chapters. If I am not in mood, I will even write two more chapters that day. There is only one chapter.
But the overall update word count is still quite impressive, right?
Table of contents, it seems like the 9,000-word label is being updated every day?
That's it for today, good night everyone.
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